Butterflies Everywhere

If you’ve been reading this blog for a while, you’ll know that I like butterflies. Well, I’m finding butterflies everywhere these days. How appropriately so because of the upcoming transformative celebration of Easter this Sunday.

We host our annual brunch for about 50 folks, so this post will consequently be short. 😉

This is my recent butterfly find from Elle Decor, as they tend to be circling back in style. (Personally, I never thought they flitted out of style.)

Butterflies everywhere in style via Elle Decor on Art Is Everywhere

Butterflies in style via Elle Decor

You can find recent and previous butterfly references here.

Also, here are a few updates and worthy mentions:

 

  1. The Fearless Girl Statue will stay in place for at least a year — until February 2018. Let’s hope everyone gets so used to it that it becomes permanent.

2. If you haven’t read the book Hillbilly Elegy – A Memoir of Family & Culture in Crisis by J. D. Vance, it is a worthwhile read with real enjoyment. It’s both eye-opening and exceptionally told (orated by the author) from the insider’s perspective that helps explain a large portion of America’s people and their upbringing while being one of the few to “make it” and find the American Dream. (Even Oprah read this book, or is at least shown in a photo with the book on her table.)

Although the memoir was specific to Vance, it was embraced as a personification of the everyday struggles of America’s white underclass, and it shone a light on issues including race and privilege in America.Deadline Hollywood.

This just learned — the book will become a movie.

Click this link to listen to a sample. It personally moved me with my father’s Kentucky roots and even some real life characters being similar in name. For instance, J. D.’s name and his sister’s are similar names to my brother, John D (named after my father) and my sister Lindsey. Even his first home town in Jackson, KY, is all too uncanny to me. Although he currently lives in San Francisco, is a venture capitalist, works with Steve Case, he has DC Gibson Dunn law connections. There were unexpected guffaw moments of hilarious laughter and equal shocks of sadness but if everyone read this, there could be signs of hope, which is a good thing for this time of year — and a perfect thing on which to end this post.

Happy Easter!

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A Big Magic Kahuna with Creative Content

There have been two books I’ve read recently that deserve big recognition for their ability to express the subtleties of man living in consort with Nature and the mystery of inspiration. It’s Elizabeth’s Gilbert’s Big Magic, Creative Living Beyond Fear that takes the prize, however, for boldly being able to give meaning to and explain the creative process and the pathways to choose for achieving the most positive results.

Big Magic by Elizabeth Gilbert_Art Is EverywhereShe begins her book with a simple question and answer, “What is creativity? [It is] the relationship between a human being and the mysteries of inspiration.” This blog, by the way, is primarily about witnessing such inspiration and marveling in the creative process involved.

Gilbert eloquently describes the moment that one’s revelation of an idea occurs is when a person is open to receive the thought that may have been there but they were not cognizant of seeing it. Kinda like the thought of the potential for art being everywhere exists around us but it takes the perceptive individual to notice. She likens an idea to a living entity that gets its life force through a person, as if the person is the vehicle for bringing it to light. If the person is unwilling to engage the idea, not receptive or too late to act on it, then the idea goes elsewhere looking for another individual to entice. She describes an example when her idea for a book was passed to another author simply through a hug. It was not the best timing for her to commit to the idea so the idea left for another host and this other author wrote a wonderful book involving this same idea. The idea was never discussed between the writers in advance. It only came to light when Ann Patchet (the other author) was describing her new book, State of Wonder. You might think Gilbert would be incensed that her idea had been “stolen.” How would you react? Instead, she appreciated Ann Patchet’s work and was delighted that the idea finally came to light. One does not have ownership over an idea, she notes. The idea has ownership over you.

This concept makes sense when waves of ideas come and they go. They aren’t always there but when they are, it’s always magical to see many ways the idea can manifest itself.

I’m having one of these moments in a new series of artwork I’m trying to produce. The concept has been with me for a while but I’ve just now gotten the chance to fully act on it. Her book gave me the impetus I needed with the suggestion that the idea will go elsewhere if not used. Now I’m fully immersed in it; albeit, while trying to manage my business(es), which is probably my other creative idea(s) that I’ve been nurturing for the last 8+ years.

She likens living in the moment while manifesting the idea as the most magical experience, full of pure joy, of which I can attest, when it happens:

“You may know this feeling. It’s the feeling you get when you’ve made [or done] something wonderful and when you look at it later, all you can say is, “I don’t even know where that came from.” You can’t repeat it. You can’t explain it. But it felt as if you were guided…It’s the most magnificent sensation imaginable when it arrives…[maybe] not a more perfect happiness to be found in life than this state, except perhaps falling in love.”

She calls this having a genius, as the Romans did, not as we do now “being” a genius. The difference keeps the creative person’s ego in check. This is contrary to those pinned with the label of genius (i.e. Harper Lee) or the self-absorbed artist, singer (e.g. Kanye West) or actress or lawyer, politician or any person for that matter who thinks they are, unique, one-of-a kind. They can be either too scared to create again having reached a pinnacle or too frighteningly egocentric when they do. We are all creators and living life fully is in the act of doing something. I call it “finding Balance.”

She describes the paradoxes involved. The moment the idea comes and you act on it is sacred and related to divine mystery, which I agree. I often explain coincidences that happen as more than just mere coincidences. However, she warns that although you must take the work involved seriously, you cannot think it too important or let it torment you or create such disruption that the work becomes a burden, then you lose the miraculous flow. The creative idea is then affected and becomes too heavy when it needs to remain light, not necessarily easy but enough so to bring joy. Life is about creating (the process) not necessarily the results of what you create. It’s great if the result is a masterpiece or a best seller, as her book Eat Pray Love was, but the intent cannot be just for this goal. There is too much pressure and a set up for self-destined failure, which may be why Harper Lee never wrote anything after To Kill a Mockingbird. Ann Patchet’s work is so highly regarded not only because she is a wonderful writer but mainly because of her similar philosophy, “I don’t write for an audience, I don’t think whether my book will sell, I don’t sell it before I finish writing it.

Gilbert states, “in the end, creativity is a gift to the creator, not the audience.” I would even say and creativity should be received gratefully, giving gratitude to the Creator. She says the creative work must be the most important thing to live artistically but not matter at all in order to live sanely. Again, finding that balance, while always being grateful and enjoying the good and bad of what you do. That’s a lesson I remember my father telling me, no matter what you do in life, make sure is something you enjoy doing.” This way you can overcome hardships that will happen along the way.

Gilbert’s book is all about the creative process. How the idea forms, how one chooses or doesn’t choose to act on the inspiration and how there is work involved when you choose to act, which she humorously calls the “shit sandwich.” I don’t have a problem with this language because it is aptly named when you understand the reasoning behind it. It refers to all the frustration involved and hardships to overcome in making the idea materialize. You’re either willing to eat the shit sandwich, that no one wants or chooses to eat, or not. How badly do you want to make your idea work? There are lessons in this book for everyone to follow. Persistence, not perfection, pays off. The shit sandwich is what happens in between the bright moments of the easy flow of inspiration. There are other lessons: trust in what you love, learn from fear, be open-minded and curious, say yes to inquisitiveness and interests because they are often clues pointing you to a path that you might not fully see, stop complaining, get doing.

I chose this book for my book group as a philosophy book not as a self-help. We enjoyed discussing during our Mardi Gras celebration — enjoying life in the doing — as described in my previous post.

This was just after the previous book we read last month called Soul of an Octopus by Sy Montgomery, which is another one that I’d highly recommend. Sy Montgomery is a Naturalist who’s written a series of books that demonstrate Man’s symbiotic connection to Nature through the many experiences she has encountered. This one has to do with her observation and what we can learn from highly intelligent octopuses (not the more popular, but incorrect octopi). When reading her account, you learn how remarkable these mysterious and often feared creatures are but also how human emotions can become entangled and elevated with another type of being. As the book jacket states, her story “reveals what octopuses can teach us about the meeting of two very different minds.

Soul of an Octopus_Sy Montgomery_Art Is EverywhereThis is what I wrote to my book group about it. Hopefully, you’ll be able to see the connection between the two books and my delight in discovering them, coincidentally seeing how they relate to discovery and Art Is Everywhere:

I loved this book, btw and gave it a 10, which I rarely give, but it really spoke to me. I’ve been enamored with the sea and all its mysterious creatures, which is why I probably collect and paint seashells, sea life murals and have enjoyed a fresh and marine fish tank for over 20 years. Fish, surprisingly, also have personalities.

Sy Montgomery coincidentally mentions Cozumel as her first dive and likens it to something similar to visiting an alien planet right here on earth…It’s on my bucket list to go deep sea diving but until then, I’m going to go swimming with whale sharks (extra video ref). I learned about how this phenomenon came about through the Racing Extinction film (very worth watching even with some overtly political overtones). It aired in December but you may still be able to see it on the Discovery Channel?

Following suit on the philosophy take-away regarding this book about Karma and Consciousness,* I’m choosing Elizabeth Gilbert’s latest book Big Magic, Creative Living Beyond Fear. I believe it was written as a followup to her Ted Talk on Creativity that I was so impressed with that I  emailed the book group about way back. I just discovered she’s expanded it into book form. We’ve read Elizabeth Gilbert’s Eat Pray Love and Committed before and discussed how she can have a somewhat self-absorbing nature to her writing but even though her stories are shared from personal experience, this broad topic on creativity and inspiration may grab our group of very creative ladies both collectively and individually.

I almost chose another book, Nonesense, the Power of Not Knowing by Jamie Holmes and will still recommend because I think it might be the perfect followup to Gilbert’s book. This one is filled with unknown facts behind veils of deception — from what you think you might know. Both books seem enlightening for living in the present.

Montgomery marries science with poetry in her descriptions of her dives along with her cultural knowledge in explaining the meaning of karma and consciousness.

The desire to change our ordinary, everyday consciousness does not seize everyone, but it’s a persistent them in human culture. Expanding the mind beyond self allows us to relive our loneliness, to connect to what Jung called universal consciousness…Plato called the animus mundi, the all-extensive world soul shared by all of life…Karma is interchanged with destiny…but the idea of karma has a deeper and more promising meaning than fate…Our karma is something over which, unlike fate, we do have control. “Volition is karma,” the Buddha is reported to have said. Karma, in Hindu and Buddhist traditions, is conscious action. Karma is not fate, but, in fact, its opposite. Karma is choice.”

In her chapter, Consciousness to think, to feel, to know, she describes the following reflection about the meaning of the Soul while attending a Tahitian church service, she “understands the power of worship, and the importance of contemplating mystery…in all our relationships, in all our deepest wonderings. We seek to fathom the soul…[The Soul] gives life meaning and purpose. The Soul is the fingerprint of God. Others say that soul is our innermost being, the thing that gives us our senses, our intelligence, our emotions, our desires, our will, our personalities, our identity. Perhaps none of this is true, [but as she sits in the pew she ponders,] I am certain of one thing…if I have a soul — and I think I do — an octopus has a soul too.

Strangely enough, she contemplates this idea (which I think has to do with connection and creativity as it takes on its own life as the title of her book) while she is transported by the pastor’s sermon to the “Gilbert Islands, where the octopus god, Na Kitka, was said to be the son of the first beings, and with his eight strong arms, shoved the islands up from the bottom of the Pacific Ocean…Immersed in mystery, my natural response, even on an expedition in the name of science, is to pray.”

Perhaps I’m more reflective with my birthday a day away, but not thinking there is really a connection to this, except that these two books brought great inspiration, in a timely and interconnected way that is beautifully mysterious. I am grateful to have read them and I can only hope their inspiration will be sustained, at least for a while.

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Can Historic Murals Be Divisive?

There is an ongoing issue with racial division coming to the forefront lately. I usually don’t take on such political topics and it is not my intent to do so here but simply report and as usual show some connectivity to how art really is everywhere and relates in our lives.

There is controversy a-brewing at the Jefferson County Courthouse in Birmingham, Alabama over the historic murals that were painted by Chicago artist John W. Norton. He painted the large-scale, eight-foot murals to depict the story of the Old South and the New South in the 1930’s when the courthouse was being built.

Old and New South Murals via BhamWiki on Art Is Everywhere

Old and New South Murals via BhamWiki

Jefferson County Courthouse Mural 1_Art Is Everywhere

Old South section via AL.com

Jefferson County Courthouse Mural 2 _AIE

New South via AL.com

Jefferson County Courthouse Mural 3_AIE

Old South full mural via AL.com

Jefferson County Courthouse Mural 4_AIE

New South full mural via AL.com

They have existed without complaint until recently when Anne Garland Mahler, a Birmingham native who teaches now at the University of Arizona, started an online petition on change.org to have them removed because she cites them as being racist.  She indicates, “These murals have been described by scholars as white supremacist images and even the Chicago firm, Holabird & Root, that originally designed the courthouse and commissioned the paintings, has stated their support for the removal of the murals.“…”Since these murals are works of art and were painted by a famous muralist, we are not necessarily advocating for their destruction.”…”Most importantly, these images do not belong in the courthouse.”

There is precedent here with a twist when the now famous Maine Labor History Mural by artist Judy Taylor painted in 2008 was removed by then Governor LePage in 2012. It caused so much controversy that a lawsuit ensued by artists to keep it in place. Here was what resulted after a long battle, reported in Yankee Magazine:

The solution to many problems in this life is simply for enough time to pass for the problem to disappear on its own. What seems to have happened in the case of the Maine Labor History Mural is that, with litigation at an end, new Maine State Museum director Bernard Fishman, former director of the Rhode Island Historical Society, approached new Maine Labor Commissioner Jeanne Pacquette about exhibiting the mural in the museum lobby. Artist Judy Taylor was consulted on the move and consented. Gov. LePage apparently had no objections. And the U.S. DOL, which paid for the mural and had been demanding its money back if the mural were not exhibited, agreed that it would be okay for the mural to hang, at least temporarily, in a non-labor department facility…. And, with its new-found fame, the mural will now be seen by thousands more people than would ever have seen it in the tiny, airless DOL waiting room.

Maine-Labor-History-Mural_via Yankee Magazine on Art Is Everywhere

Maine Labor History Mural’s current home_ via Yankee Magazine

I would also say that controversy can be resolved with respectful dialogue — communication “with” rather than “at” one another.

It remains to be seen what will happen with the Courthouse Murals because removal can cause extensive damage and the cost can be exorbitant at an estimated $100,000, when that money and effort could be possibly better spent on the citizens and their community.

 County Commissioner President Pro Tem, Sandra Little Brown, writes an impassioned plea for their removal and makes some valid points for everyday living with the murals and what they represent. I’ve even tried to envision myself having to view them daily and recalling painful past struggles — if that is the only thing you see. However, they provide a beautifully rendered, stylistic depiction that is indicative of the Industrial Movement post Art Deco, despite the subject representing America’s honest history. They also show progress and historically represent the mindset of the 1930’s, not present day era, as they were painted then, not now. Diego Rivera also painted the American Worker in the 30’s during the industry labor movement. Detroit fought hard and won to keep these murals intact as their many other museum acquisitions had to be sold during the city’s declared bankruptcy. However, these are one of the main tourist attractions to the museum and have since become even more so visited.

Diego Rivera Murals at Institute of Arts in Detroit_via Huffington Post on Art Is EverywhereEqually persuasive is Wayne Flynt’s argument that,”Addressing systemic issues involves confronting policies, but dealing with historic symbols is more complicated and divisive.”  He is Auburn University’s professor emeritus of history. His closing phrase is poignant, “What, as a historian, I find wrong about that is this no longer allows us to have a conversation about the way we were,” Flynt said. “And the way we were is the problem.

Perhaps this is a solution, as stated on AL.com:

Linda Nelson of the Jefferson County Historical Commission has suggested installing educational materials near the pieces and a third mural documenting Southern progress. Jackson told the commission he’s open to that idea.

Nelson and Flynt say they understand the emotions that the artwork stirs, but they would rather preserve reminders of the region’s past than wipe it away.

Until a resolution can be found, at least there is comfort in enjoying the beautiful building and some of its many details.

Jefferson County Courthouse Mural 7_AIE

You can almost see Atticus here.

Jefferson County Courthouse Mural 6_AIE Jefferson County Courthouse Mural 5_AIEI’m from the South, a New Orleans gal, and I currently live in a Southern town of Alexandria, VA, right outside the most political town of Washington, DC. We are grappling with our own “Confederate” symbols that became controversial in the sad wake of the senseless Charleston church murders. Although some landmarks, streets and Confederate flags are being removed or replaced, this beloved statue, where the Confederate Soldier, entitle Appomattox stands in the middle of a busy street with his back to the North, is totally symbolic of the Civil War when the North and South were at such odds and pays tribute to VA’s dead in the wake of such a horrific war. It would take more than just a city order to remove as it is on the historic registry of landmarks and is owned by the state, so it is staying.

Appomattox via DCMemorials.com on Art Is Everywhere

Appomattox via DCMemorials.com

There are countless other murals and artwork that resonate with people because they precisely depict a figure who or an image that represents a time and place in America’s history that should not be forgotten.

As I write this piece and with these controversial racial times, I am reminded of one of my favorite books, The Book of Laughter and Forgetting by Milan Kundera. I learned from reading it how Russia used the everyday tactic of simple changes to erase history, like changing street names, renaming and removing landmarks. The next generation never knows its past and does not reflect on it. Therein mistakes are often repeated. It has a striking similarity.

Recently in Seattle, James Crespinel, the original artist of his tribute mural to Martin Luther King below was touching it up and so many people stopped to complain because they were worried he might be damaging it. Once he explained his purpose, the passersby were welcoming of his careful and loving preservation.

MLK mural via TheStranger on Art Is Everywhere

MLK mural via TheStranger

Barzun, Books & Art

Jacques Barzun passed away over the weekend. He was 104 years old! He must have been doing something right. He most certainly did with his opus book, Dawn to Decadence. It breaks 500 years of the history of  Western Civilization into four periods from 1500 to the present age, which is coming to an end (just around the timing of his death, coincidentally). Will the younger generation ever read or understand the importance of his work? He was considered the most scholarly historian and intellectual of our era. Although The Washington Post did a commendable write up, here’s his official obituary, an excerpt is below:

“From Dawn to Decadence,” summing up a lifetime of thinking, offered a rounded, leisurely and conservative tour of Western civilization, with numerous digressions printed in the margins. Barzun guided readers from the religious debates of the Reformation to the contemporary debates on beliefs of any kind.

“Distrust (was) attached to anything that retained a shadow of authoritativeness – old people, old ideas, old conceptions of what a leader or a teacher might do,” he wrote of the late 20th century.

Barzun told the AP in 2003 that he remembered coming to the United States after World War I and finding a country that lived up to its own happy, informal reputation. “It was openhearted, amiable and courteous in manner, ready to try anything new,” he said. “But many of those things have gone to pieces, for understandable reasons.”

With recognition to him and his appreciation of culture and the arts, here’s a lovely piece of book art, from my archives of posts that never got written. This piece was in the Counterbalance exhibition @ March, 2010 at the School of Visual Arts in NYC, which details the creative/ healing process of the patient/ client guided by the combined efforts of clinical experience with the studio art training of their psychologist/ therapist.

Counterbalance-image via SVU, as seen on Art Is Everywhere

Like Barzun’s words, art and literature can be combined for a powerful therapeutic experience, similar to “when you experience something that’s beyond words, and you can deal with it through art, there’s something cathartic about that,” stated by Deborah Farber, the Chair of the Art Therapy Department. Knowledge and creativity can work in tandem to bring understanding and healing to individuals and this often crazy world in which we live….Speaking of a kind of crazy tradition, it’s Halloween, now go dress up and scare someone and hopefully you’ll be rewarded with treats not tricks.

Happy Halloween!

Making a SmART leap this year

Leap year only comes every four years. Why not spend it wisely? I’ve recently discovered Laura Trevey’s SmART book for artist entrepreneurs. It’s chock full of helpful advice as well as her colorful artwork. Laura is a talented artist, watercolorist and business woman herself and practices what she preaches.

Laura Trevey SmART for business, as seen on Art is Everywhere

Here are few tidbit takeaways:

• Find a way to differentiate yourself among others offering a similar product or service.

• Create a business plan and right it all down. [We are revising ours  right now so I now how much time and work this takes.]

• Create a logo that represents your brand and shows continuity by color and style on everything that represents your business.

An artist is not paid for their labor but for their vision – quote from James Whistler

• Organize your office/ studio space so that it is most efficient for your time management so the more work you can get done, the more time you’ll have to play. [She shows you tips and visuals on how to achieve this for your office.]

• Start a blog so you can engage with your followers and show your work while increasing your business. [More specifics and technological tips in her book.]

If you think your work is 80% finished, then you’re done. [I had a hard time with this one because  my work tends to be detailed and I always see improvements but I’ve gotten better at realizing that sometimes a piece can look overdone so better to stop when you’re ahead.]

Don’t worry about giving away your secrets, your readers will respect you for sharing your talents.

On this note, you’ll have to check out Laura’s book with a checklist of exhibitor items, details on online strategies and her wonderful blog, Bright Bold and Beautiful, to get more helpful insights. This is where you can see how successful she has been with social media.

Below is just a small sampling of her bold, bright and beautiful artwork. She likes butterflies too!!

2_Trevey_butterfly_as seen on Art Is Everywhere

3_Trevey_watercolor_as seen on Art Is Everywhere

And chickens.

Trevey_Rooster_as seen on Art Is Everywhere

5_Trevey_House rendering_as seen on Art Is Eveywhere

4_Trevey_Crab_as seen on Art Is Everywhere

6_Trevey_Flowers_as seen on Art Is Everywhere

Laura, by the way, was very kind to write a post on Casart coverings a while back. If your want to see more posts with bold color,  leap on over to Slipcovers for your Walls, where you can read about Pantone’s color explosion prediction for upcoming fashion.

BTW, leap year is extra special for me, since it my every fourth year wedding celebration that gets celebrated twice in one year.

Happy Leap Year!!

The Creative Connector Project

Did you know that artists are connectors? This is what the Leadership Philadelphia’s current study suggests — artists are creative community connectors and it is their intent to affirm from this study that the arts are an economic engine as part of this process.

I find this concept interesting but the outcome, I think, is obvious. Yes, I believe artists are connectors because they are creative and  seek out-of-the-box type of solutions for getting things done. People are naturally drawn to their ideas because they inspire and trigger their thought process and brain activity which sparks energy. Like synapses in neurons firing, once a creative idea gets sparked, artists connect others through their expressive ideas and people are naturally and positively drawn to this type of positive and exciting energy.

This study has its premise based on Malcolm Gladwell’s book, The Tipping Point (great read by the way), in which Gladwell “used this term to describe people who know everyone and get things done. They’re the glue holding the community together, and are often under the radar,” according to Liz Dow, the director of Leadership Philadelphia. “She’s not looking for just any artist.” “We’re looking for someone who pulls a community together,” as this The Philadelphia Inquirer online article describes. “The Mural Arts Program is a perfect example,” Dow said. Click here to learn more about this opportunity for artists, regarding the study and how to submit nominations though July Ist.

Speaking of Murals, since this is Mural Monday. Here are a few murals that I did not get to post when I wrote about our family trip to Philly, and especially to see a few of the many murals as part of Philadelphia’s Mural Arts Program (MAP).

 

Bike Spoke Mural_ by Kerrin seen on Art is Everywhere

Bike Spoke Mural. Photo by Kerrin on Flickr

Wowza! So many of Philly’s murals surprise the visual senses.

1_Philly-Mural_Notions-Oceans as seen on Art Is Everywhere

"Just Before Fall" by James Burns, via Notions' Oceans blog

If you want to know more about Philadelphia’s public art, these sites are worth visiting:

Live Arts & Fringe Festival Blog — where you can see how the largest Philly mural in the airport was painted through a community paint day and keep informed of other public art activities.

 

community-paint-day via Live Arts & Fringe Festival Blog, seen on ArtIsEverywhere
community-paint-day via Live Arts & Fringe Festival Blog

The Art Blog

 

Ben Volta_Home That Was, via The Art Blog as seen on Art Is Everywhere

Grid – Towards a Sustainable Philadelphia — See all sorts of initiatives to everyday beautification: Lunch Truck Project and Recycling Trucks among many artistic solutions.

 

Philadelphia Painted Lunch Truck via Grid, as seen on Art is Everywhere

Philadelphia Painted Lunch Truck via Grid

Philly "tricked" truck via Grid, as seen on Art Is Everywhere

Philly “tricked” truck via Grid

Popup Art

Did I mention that I love popup books? I think I did. Peter, my husband, and I were able to finally see the Paper Engineering exhibit at the National Museum of American Art before it closed. I mentioned it in a recent post. I was fascinated with the history of popups and the terminology. Peter had his Pavlov Dog “tired” expression on the minute that we entered the museum…..(He wasn’t that way with Chuck Close, however.) I don’t think I’ll take him to If You could Read my Pins….

large_image_1526 for Paper Engineering Exhbit. NMAA

One Red Dot sample popup book for Paper Engineering Exhbit. NMAA, Art is Everywhere

I bought the Marion Bataille book, ABCD, because I thought it was the most contemporary, conversational piece. The hologram cover, just in itself, sparks the imagination. I was a bit disappointed, however, after reviewing several times that for some unexplainable reason  the “Q” and the “R” were left out. As it turns out, after viewing this Vimeo video below, the mylar sheet may just have fallen out before it was packaged. Well, at least I know what to do to make one now.

ABCD_Marion Bataille - Popup book, on Art Is Everywhere

ABCD popup book by Marion Bataille

Q_R_page in popup by Marion Bataille, on Art Is Everywhere blog

Q / R page missing in our popup book by Marion Bataille


Popup by Marion Bataille
Uploaded by jacques_faciale. – Watch original web videos.

I’ve got my Papers in Order by The Old Ceremony seems apropos for this post and to Kick Start the Weekend. They were great in concert, by the way! They are a “smart” band out of UNC, Chapel Hill and the only one I know of with a modern American song in Japanese that could  be mainstream (to post later).

5th Year Anniversary

Katrina is not something that I want to remember but it is worth noting that August 29 and the surreal weeks that followed mark the 5th anniversary of “The Storm” that flooded New Orleans.

For this year’s anniversary, I thought I’d post fitting artwork by the British Street artist Bansky, who’s mural work just happens to be stenciled on the side of building located on the corner of North Rampart and Kerlerec Streets in New Orleans.

Bansky_NOLA_KatrinaAnniv_casartblog on Art Is Everywhere

Nola Pink by Bansky, 2008

Interesting timing that I just ran across this article regarding Fred Radtke, aka “the Gray Ghost” because he eradicates graffiti and street art in New Orleans by spray painting over them with gray paint, leaving a ghost of the image. I’m glad Bansky’s art is now protected with a Pexiglass covering and duplicates have been produced for further archiving to travel for exhibits.

Getting back to this anniversary, everyone has their story to tell, like where were you during 9/11?  Another unforgettable day, as I was here in the DC area dealing with trying to get my children home from their schools. Here’s a synopsis of my Katrina story. I was not blogging at that time, and good thing because you would have noticed a change in my demeanor. You may have even questioned my sanity. I know I did. It was one of the worst things I’ve been through (even more unknowns than cancer) and I wasn’t even there. I was just trying to make sure that family members and friends got out while I was 1,099 miles away with little or no control to do so.

I watched the waters quickly rise while my friend was in her condo right down the street from the Superdome. Strangely, I was able to reach her on a land line after most everything shut down. She did not plan on leaving. People were jumping from the Superdome platform, there was a fire burning nearby and looters right around the corner. I was watching all of this from the safety of my home television sets and computers — different channels all on at once. She finally left with her husband, sick father and three dogs and a cat (I think) just seconds before the police closed the Interstate Connector (off Camp Street).  I was relieved but didn’t know this until days later when they finally made their way to Mississippi.

My parents, when they finally decided to leave, were able to make it to Atlanta after enduring bumper-to-bumper traffic and then they ended up in KY after a week or so. I had to track down my father’s oncologist who was out of the country and then find other doctors who he could see at various facilities along the way.  ASCO, The American Society of Clinical Oncology was located right around the corner from my home. I paid them an exasperated visit and coincidentally met with the same lovely person who my parents had met earlier that year at a conference. John Cox, of ASCO, later wrote about this experience in their newsletter quoted below and Fran Fritz included this example of what to do with Cancer Care Amid the Storm in her article for MSNBC. I’ll never forget ASCO and Wendy Stokes’ lifesaving help.  I’m glad this story also may have been helpful to others.

A few days after Hurricane Katrina hit, a young woman walked down the street from her home in Alexandria, Virginia, and knocked on the door of ASCO’s headquarters. Her elderly father was a cancer patient who had been evacuated from New Orleans to Louisville, Kentucky, because of the hurricane. He needed care–and she needed help. Wendy Stokes, an ASCO staff member, took the young woman by the hand, made some calls, found a source of care for the woman’s father, and connected the two. And while she was at it, she helped another friend of the young woman, a dislocated cancer patient looking for care in Mississippi. From dramatic rescues and heroic sacrifices that all of us have seen to the small kindnesses that go unnoticed, thousands of Americans have stepped forward to do what they call to ease the suffering of neighbors. ASCO became part of this national response.

Meanwhile, I lost all track of time during this period —  weeks melded into days and vice versa.

My brother and his fiancée set up camp in Baton Rouge and he was the first to return. He doesn’t talk about this or what he saw to this day. His house was flooded to the second floor, being a few blocks from the 17th Street Canal (so strange I can say that and everyone knows where that is now). We watched a video of a cat being rescued from a boat from the top floor of his house — how we knew it was flooded. There were many miracles. Thank goodness for Troy Gilbert, the Gulf Sails blogger, giving us daily reports from the location he never left — a block away from my parents’ house and his sister lived on my brother’s street in Lakeview. Thank goodness for Google Earth! Mostly, thank goodness for the support of friends and my immediate and extended family. The apparent loss of one’s hometown is an insanely difficult thing to deal with, even if you have a love / hate relationship with your birthplace.

There were so many strange occurrences during that time that I don’t like to repeat or even remember them all and these included scenes of others’ trials which were much more serious than those of my kin and friends. I have saved all of the emails and kept a scrapbook of newspaper clippings to deal with all of the memories. I relate this process of healing to that of what those with PTSD must encounter. I finally closed the chapter on this life’s book @ January of this year, when I along with so many others in New Orleans finally felt like the city had gotten back on its feet. We survived. We were stronger and we even won the Super Bowl! (Don’t ask me anything about football but I became a fan.) Then the BP Oil Spill….

My sentiments follow those of Chris Rose; although knowing he had a mini nervous breakdown after Katrina, I try to remain more positive. He is one of my favorite New Orleans writers. His book One Dead in the Attic is so truthful in its telling — pure written art. He is correct in that at the 5th Year Anniversary of Hurricane Katrina, we (all those who have connection to New Orleans) would have been fine and even elated to say we were — had it not been for this oil disaster — a preventable human error. Yet, New Orleans has risen above the sea level of despair, yet again. It doesn’t stop our partying — our celebration of moving forward — our expression of love for life.

Another author, Dan Baum, who’s book I read called Nine Lives: Mystery, Magic, Death and the Life in New Orleans, portrays real characters that reads like fiction. His descriptions of their lives before and right after Katrina show the spirit of New Orleans. His final paragraph in the article that he recently wrote for the Washington Post puts it succinctly:

Five years after Katrina, living in the Big Easy is not for the weak of spirit. It’s a triumph that the place continues at all; that it’s still the singular city it was borders on the miraculous. As we mark Katrina’s anniversary next weekend, it will surely be a time of mourning and for taking stock of the challenges ahead. But since this is New Orleans, we’re talking about, it’s a time for celebration, too. As a wise old man of the Lower Night Ward once told me, “We’re capable here of holding more than one thought in our heads.”

It’s time now to move onward, only reflecting back on the past to be aware, remembering the positive, good deeds of people helping each other and therein, making the future (and New Orleans) better. For all the TV and media coverage this week, let’s focus on the positive progress and not get stuck in the static past.

Here’s an appropriate song by Vince Vance that helps to define this New Orleans’ spirit while remembering heritage.

Pop-Ups Plus

I recently saw notice for and exhibition called, Paper Engineering: Fold, Pull, Pop and Turn, about pop-up books at The National Museum of American History. I’ve always enjoyed pop-up books, so I hope I can see this. The exhibit contains book from the Smithsonian Institutions’ Library’s

Pop-up book, One Red Dot. Courtesy NMAH, seen on Art Is Everywhere blogHere’s the NMAH’s quite fascinating video on the subject and how involved a pop-up project may be. I have an even greater appreciation of a pop-up book after watching this. It’s truly a work of art and a paper engineering and folding feat.

If you’d like to try a more simple book construction, check out the Altered Book Basics, as a project from a children’s librarian and mom on Nature Books Art.

Example of an Altered Book from Nature Books Art as seen on Art Is Everywere

Example of an Altered Book from Nature Books Art

While I’m mentioning exhibitions, here few more I’d like to see:

1) ColorForms examines how artists use color within multi aspect of media. Hirshhorn – Jan 2, 2011.

2) Graphic Masters III: Highlights from the Smithsonian American Art Museum, shows artist’ illustrated lists, among other works at the Reynolds Center for American Art and Portraiture – August 8, 2010.

3) While there, check out the magnificent Kogod Courtyard and also see Norman Rockwell, Telling Stories from the Collections of George Lucas and Steven Spielberg, July 2 – January 2, 2011.

NormanRockwell Telling Stories exhibit at National Museum of American Art on Art Is Everywhere blog

Norman Rockwell Telling Stories exhibit at National Museum of American Art

4) Chuck Close Prints: Process and Collaboration, Corcoran Gallery of Art, through September 12. I’ve always liked Chuck Close.

Curatorial Lectures

I really love the National Gallery. It’s my favorite museum by design and acquisition and that it is so accessible. I used to work there and that probably has something to do with my continued affection for the NGA.

When I first worked at the NGA, I was an intern in the Public Relations Office — the administrative side — before I worked later on the exhibition side. This was a wonderful opportunity to learn the behind the scenes tactics of what it takes to operate a famous and large-scale public art museum. Fortunately, I was able to do this with a Tonya Grant from my university. Normally this was used for mostly government and public affairs internships but I was the first one (at the time) to be awarded this with regard to the art /museum realm. When I was there, we were periodically asked to do research at CASVA, the Center for Advanced Study in the Visual Arts, situated in the East tower wing, taking up several floors among administrative offices. This was fun and intimidating to do. So many scholars were surrounding us. However, I was happy to see that this “hidden” gem and its several scholars were recently profiled in the Washington Post. As Blake Gopnick states in his article, “They work in the shadows to find new insights into art — so that the rest of us don’t have to.” Actually, I would love to, but it would be a luxury at this point with so little time….I’m kind of envious. What a dream job it would be to study art. Art history is still my first academic love; although, I equally enjoy creating art as well, but to be able to delve into historical periods, artistic movements and particular artists of interest and within your profession…. Artists, as well as art historians are part of CASVA.

Current CASVA scholars at NGA. Photo by Bill O'leary. Washington Post

Many lectures take place at the NGA which showcase their work. I used to attend regularly. Having kids, kinda changed that but now that my husband and I are empty nesters and our boys are nearly both in college, they might appreciate attending. Something to put on the summer calendar; although, the CASVA lectures by this point will have finished. Others remain and are ongoing, regarding current and permanent exhibitions. I would have liked to have attended, The Body of Perfection, the Perfection of the Body and Representation and Imitation.

Coincidentally, I had a discussion recently at a dinner party about my behind the scenes experience at the NGA and I recommended the childrens book, The Nine-Ton Cat, by Peggy Thomson as a pretty accurate and basic perspective of all the things we don’t notice when just going there to view the art.

Nine-Ton-Cat by Peggy Thomson

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