Archive for the ‘Performance’ Category

A Smashing Smithereens Show

Thursday, February 21st, 2013

Rarely these days do I make it to a concert but a friend of ours follows all the local band scenes and has convinced us that 2013 will the year of concert going. First up, the Smithereens. I liked them “back in the day” and still like them now. They can still rock a show and appear to have the stamina from 20 years ago; although like all of us, have aged in appearance.

We saw them over the weekend at the State Theatre, an old movie house turned concert venue and not too far from us in Virginia. I had never been there before and really liked their cabaret-style set up. I like the Birchmere as well, closer to us and a more intimate environment, but this open and spacious layout took the lead. I didn’t know what to expect, the Black Cat maybe, which I would have liked but would have felt over age. Not quite the cane set (like the Birchmere mostly) but we were within age range, if not underage here. Although, a birthday this week may put me over the quota. :0

state theatre-via mr-miners-phish-thoughts, Art is Everywhere

We got there early to snag a table and fortunately, were able to do so. Otherwise, we would have been standing in the pit in front. It wouldn’t have been bad but with a table, we had a place to hang and actually had good food. I had a pretty decent shrimp po’boy but too piled high to close the sandwich. Ahh, I didn’t need all that bread anyway. From our viewpoint (table in darkened area on right in back from the stage in this picture — they have since added balcony seating), we could see the stage pretty well and the pit was designed on a declined slope to not block the vantage of the table onlookers. Smart!  I like their interactive website page too.

the-state-theatre-music-dc, Art Is Everywhere

state theatre-website, Art is Everywhere

If you’re not familiar with the Smithereens, don’t get them confused with The Smiths, which I always tended to do. They are different, one being American (New Jersey, good old boys) and the other Brittish, but their sound for some songs seemed similar to me. Seeing them at the concert helped to identify and separate their differences even more. The Smithereens played their classics: Blood and Roses, Yesterday Girl, Only a Memory, and Top of the Pops, which I didn’t realize was the same song I listen to at least twice a week while still (admittingly) exercising to a Cindy Crawford video. ;) We were all up our of our chairs, dancing (the only ones it seemed) when they played their finale A Girl Like You.
best of smithereens, Art Is Everywhere 2011 smithereens, Art Is Everywhere
Pat DiNizio, lead singer and guitarist, has the same recognizable voice that is just as strong as the early years. Dennis Diken, the drummer, played one of the best solo performances for the drums that I’ve heard. Their recent sound has gotten more contemplative and even jazzy. Here’s Especially for You that we were able to record via the link below (give it a minute to load)  and an earlier version for comparison.

Smithereens 2013

But I’ll leave you with A Girl Like You. Maybe you’ll start dancing too or maybe just let it Kick Start Your Weekend early.

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Building Outdoor Musical Theater

Wednesday, May 30th, 2012

I finally made it to see and hear Song 1 displayed on the outside of the Hirshhorn Museum before it closed on May 20th. In fact that was my mother’s day present. What a great idea to use the outside of buildings as movie screens. This one, however, was not flat and that’s where the technological wizardry came in. Here’s my previous post regarding the optics.

It was a beautiful clear night with a slight breeze. All ages, all kinds of people were out, hand-in-hand, in groups, with families and individually, enjoying  the same experience with perhaps different meanings for each. It was one of those moments in time where you felt the community stopping the hectic pace around them and coming together to enjoy the beauty of the moment. Here are some video clips that I have spliced. Of course you had to be there to get the full sense but one takeaway is I can’t seem to get the hauntingly, hip, “I Only Have Eyes for You” song out of my head. You can hear and see the street activity with buses whizzing by and eerie vocals of Tilda Swinton…..I tried but couldn’t not get my videos to reduce in size to be able to post so here’s the best I could find to give you and idea. This is the official one and much better than I could do anyway:

This isn’t only happening in America. Look at this clip on the outside of the Sydney Opera House.

Sydney opera house_as seen on Art Is Everywhere blog

Reminds me a little of Invasion of the Super Humans — I mean Virgens. The description of the Live Festival is pretty hysterical:

When the festival director of Vivid Live, Fergus Linehan, first told people he had to audition 30 Virgens, he got some pretty strange looks. Until he explained they were the all-girl rock choir in the Australian premiere of Stop the Virgens, the ”psycho opera” stage show created by Yeah Yeah Yeahs frontwoman Karen O.

”The Virgens must be supplied locally – it’s on their rider, next to four bottles of high-quality vodka,” Linehan jokes.

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Goyte’s Creative Process

Wednesday, April 18th, 2012

I was surprised by the timing of receiving a google alert regading Goyte and Kimbra — both of who’s music I had heard but didn’t realize the extent of their reach at the time — and then I saw them perform on Saturday Night Live this past weekend.

How uncanny. I had just discovered this information on New Digital Landscapes, Word and Art by Walter Smith regarding Goyte’s creative process for producing the song Eyes Wide Open. This documentary is well worth watching to see the in depth strategy and time it took to put this piece together. You would never know upon just listening the amount of work involved but the music has some extra layering and sound pitches that make it unique and the background story makes it all the more interesting.  For instance, I never knew a “musical fence” existed. If you’re ever Down Under, like these artists are, you may want to go try it out yourself.

I’ve been listening to Someone I Used to Know and really liking it but honestly, I didn’t pay attention to who it was by. I certainly didn’t know that Kimbra had collaborated with Goyte on this song and video until they performed together on SNL. Maybe you’ll like the painted “camouflage” mural effect as much as I do (reminding me of Liu Bolin) and the parody that SNL does. On a side note, Goyte reminds me of a young Sting — something about his face and mouth. Enjoy:

And then there is Kimbra, the New Zealand Katy Perry of sorts but with more unusuality to her work, an equally talented singer and performer. I really like her Good Intent song and video. You can Kick Start the Weekend early with this one:

Very cool websites for both but Kimbra’s had me really looking — especially when her eyes moved. Creepy yet clever.

Kimbra website as seen on Art Is Everywhere

 

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Right Round Here

Wednesday, March 28th, 2012

I’ve been wanting to report on the newest Hirshhorn Museum installation and now that it has started, I finally can. It’s a continuous movie called SONG 1 by Doug Aitken who uses “liquid architecture” to project continuously around the outside of the round structure that is the architecture of Hirshhorn museum.

doug-aitken_Hirshhorn_song1, as seen on Art Is Everywhere blog

Here’s what it looks like now that it’s actually rolling, every night from sundown until midnight until May 13th. The movie has about 30 – 40 different covers by Beck, Billie Holiday, Frank Sinatra, among other musicians of the 1934 song, I Only Have eyes for You. It is a series of moving pictures with the collaboration of music — not unlike a music video playing in an outdoor movie ampitheatre. Remember drive-ins? They’re baaaaack! Actually, I like the days of drive-in movies. They remind me of less complicated times.  Several years ago, we were looking for ways to project movies for community gatherinsg for our civic group but the idea faded when we couldn’t find the best outdoor place to gather with an available projection screen/surface. One difference with Song 1 is that you have to move to see the entire “movie” so you have to interact and engage to get the full effect.

Song 1 by Doug Aitkens, as seen on Art Is Everywhere

Song 1 was achieved with 11 different projectors strategically placed around the perimeter so that trees and sculptures would not interfere with the projections. You have to walk around to see the entire movie you you’ll never see the same thing twice in doing so, so it is a different experience each time when it is viewed.

hirshhorn projection by Doug Aitken, as seen on Art Is everywhere

Philip Kennicott’s review is very insightful:

The song thus emphasizes the basic dualities of the whole work, the play of surface and depth, the flow of time or the fixation of looking. But it also suggests a kind of narcissism, being so lost in one’s own desires that one doesn’t notice the rest of the universe….By contrast, “Song 1” feels spectacular but disconnected, abstract, cold and a bit remote. Aitken is a major artist. And by design, his “Song 1” isn’t meant to be seen or digested all at once.

I look forward to taking it all in soon. With spring like weather here, this could be a delightful night concert to see & hear.  See more photos here.

Doug Aitken_song1 via WP, Matt McClain, as seen on Art Is Everywhere

Doug Aitken Song1 via Washington Post. Photo by Matt McClain

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A Musical Feat

Wednesday, March 14th, 2012

You may have seen this Pipe Dream video before, but I keep coming back to it. At first I thought it was animated — and guess what, I was right. Nonetheless, it is a fantastic combination of animated engineering and artistic, nusical efforts.

This is the email that has been circulating for background reference and this is the snopes article that disproves it:

Who would even think up something like this???  Read this  first, then watch.

This incredible machine was built as a collaborative effort between the Robert M. Trammell Music Conservatory and the Sharon Wick School of  Engineering at the University of Iowa.  Amazingly, 97% of the machines components came from John Deere Industries and Irrigation Equipment of Bancroft, Iowa.  Yes, farm equipment.  It took the team a combined 13,029 hours of set-up, alignment, calibration, and tuning before filming this video but as you can see, it was well worth the effort.  It is now on display in the Matthew Gerhard Alumni Hall at the University and is already slated to be donated to the Smithsonian.

Just so you are a little  prepared, balls (hundreds if not thousands) during the performance come out of a tube, hit an object (remember – tractor parts) and sometimes multiple objects before going back into another tube. Of the all the balls you will see, NOT ONE hits the floor!!

It takes a minute for it to load — but well worth the wait + you’ll like the jazzy music too!

engineered musical instrument, as seen on Art Is Everywhere

Here’s the “real” version and video comparison, Industrial Concert Control by Intel. The original design, however, can be credited to the animated video by Animusic, however. This conceptual video was the inspiration to build the actual robotic controlled machine. The real balls are projecting so fast that you cannot see them except for the light display where they hit:

A musical feat indeed, regardless of how the egg hatched and if it came before the chicken or not. I investigated Animusic a little further and they bring a whole new meaning to ELO (Electric Light Orchestra), with their Beyond the Walls video:

They have quite a lot of videos uploaded but I’ll include this one, Cathedral Music, for my father-in-law.

I  like the Acoustic Curve for it’s harpsichord-like sound.

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Mardi Gras Mask Mambo

Tuesday, February 21st, 2012

Happy Fat Tuesday — a day early of my normal post!! Today is Mardi Gras Day so I just have to acknowledge an celebrate accordingly with this video about the Mask Market in New Orleans. Enjoy the music too.

Although I’m not so much into the glitter, I have some Venetian masks so I can appreciate the appeal of unique, hand-made masks and masking for Mardi Gras as a tradition.

However, this next tradition is one of which I was completely unaware. I guess my parents must have sheltered me while growing up in New Orleans. Actually, I do remember parade-goers shimmying up poles to catch beads but maybe this was before “greasing the poles” was started. Who knew a whole artistic performance could be created — only in New Orleans!

Greasing the poles in New Orleans via Go Nola, as seen on Art Is EverywhereAnd this is Rita Benson-LeBlanc, owner of the New Orleans Saints, doing her rendition.

If you are interested in a new New Orleans inspired French Damask design, slip on over to Slipcovers for your Walls to preview the unveiling.

Here are few previous posts regarding Mardi Gras:

Mardi Gras Costumes get a Copyright

After da Fat

Mardi Gras Masks & Typography

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Incredible 3D Light Displays

Wednesday, January 4th, 2012

Celebrating a new year, this light display shows a new way of thinking — using 3D animation to create quite a spectacular and memorable show. This uses a storefront in Berlin as the backdrop screen. I love all the imagery — particularly the butterflies and the sea life.

First, Musical Lights the old way — still magical:

Second, Lights — the new way – spectacular!

And this may be the wave of the future for Ralph Lauren is using it and I’m sure others in the fashion and other industries will soon be using this technology — if they aren’t already.  All these were in Europe so may be a little slower to arrive here in the States but look to the nearest storefront near you for the next showing.

And they can even be interactive.

Happy New Year!

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The Charleston Shuffle

Wednesday, October 12th, 2011

This is a mix mash of multiple interests and the start of my Wednesdays-once-a-week posts, so I’m calling it the Charleston Shuffle. It starts in Charleston from previous collected sites re an interesting way to do an art fundraiser + sculpture that I really like, then it moves to  museums and music, all reminding me of the Charleston dance  and back to where this began.

What a great idea to save the palette for each painting and then offer it up in an auction for a fundraiser. This is what The Charleston Fine Art Dealers Association’s Palette and Palate Stroll accomplished in this summer. $250,000 for visual arts scholarship has been raised in the past and divided between Redux, the Gibbes, and the College of Charleston’s art programs. This event paired 20 artists’ palettes, representing 10 galleries along with 10 restaurants, with the paintings for which they were used.  A simple, yet brilliant idea that gives insight into the creative paint process used for each artwork.

Fred-Jamar via Charleston City Paper, as seen on Art Is Everywhere

Fred Jamar's painting and palette

Karen-Ann-Meyers via Charleston City Paper as seen on Art Is Everywhere

Karen Ann Meyers' painting and palette

Another artist that Redux Gallery showed was Susan Meyer back in 2008 and her Installations sculpture, Together, which I really enjoy. Looking at her work, I’m pretty fascinated with her ability to have so many textural layers in her work and the color is captivating.

Susan Meyer via Redux as seen on Art Is Everywhere

2 Susan Meyer as seen on Art Is Everywhere

There was an entire section of the Washington Post called Museums: Technology but for the life of me I could not find the same online. It showcases all of the upcoming local/DC museum exhibit listings for the rest of the year and discussed whether apps for iPhone and iPad were worthwhile using while viewing an exhibit. Answer, not really because unless you look at the artwork instead of the screen, you’re not really viewing it as it was meant to be seen. You’ll be once removed like the character Brick in The Middle, who experiences life, even while in Nature, through books and what they tell him he is viewing. Love that show. (Axl, the teenage son character is the epitome of mine.)

Here’s one story from that section that I was able to find, Experiencing Music in Germany’s Meteorite exhibit, where the music surrounds you accoustically and visually as an interactive experience. Todd Machover is the creator and composer using music and technology and his MIT media lab Hyperinstruments/Opera of the Future group. (Honestly, the Post needs to work on their website navigation. Unless you know the title of the article, it is sometimes near impossible to find.) Click this link to go the the Haus der Musik in Austria — architecture below. Keep clicking these links within the Meteorite site to listen to the music within.

Experience Music Project as seen on Art Is Everywhere

Experience Music Project

Is that Frank Ghery’s architecture — that of the Guggenheim Museum in Bilboa — where I’m dying to go one day?

Now, here’s another museum post worth reading about a new proposed melting pot,  National Museum of the American People and how it might soon exist from concept to creation. Here’s the only link I could find to the museum listings I mentioned previously but unfortunately it’s not the same as in the paper, which allows you to circle the ones you want to attend — so much for technology.

Finally, I’ll end this post with a little music, Gone Wondering and Ball & Chain from Jackie Greene, having recently attended his performance at a gallery showing at Mary Douglas Drysdale’s home. It was an interesting event with gaining a little insight regarding artists, talented musicians and the business of art handlers. We had some Drysdale Signature Color panels for Casart coverings on display as artwork.

Jackie & Mary_9-28-11, as seen on Art Is Everywhere blog

Mary Drysdale and Jackie Greene

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Battle of Manassas in Miniature

Thursday, July 21st, 2011

I think Civil War reenactments are pretty interesting. When I saw the story about the sesquicentennial (150th) anniversary of the First Battle of Manassass being reenacted all this week, I was most taken with the picture, which I thought at first was a pretty realistic mural but in fact, it was a diorama.

Miniature-World_Battle of Manassas as seen on Art Is Everywhere

Battle of Manassas by Miniature World

The figures all look repeated in various angles but it you look closely, they do seem to be different. This visual reenactment is brought to you by Miniature World.

Miniature_Detail via Miniature World seen on Art Is Everywhere

Detail

If you go on to read the story in The Washington Post, you’ll learn about the art of dying well — how to know when to die during the reenactment. At times when a single shot has been fired, because there is little coordination, an entire regiment will fall. Oops…I think the coordination has gotten better with practice over the years.

Run Me Down by the Black Eye Keys is a good one to Kick Start the Weekend. I which I could have found a better video but the music is good. I like their “bluesy” sound.

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OK Performance Art

Thursday, February 17th, 2011

This fantastic video by OK Go satisfies both a regular post showing that Art Is Everywhere and in this case, performance art and my musical selection for Kick Starting your Weekend.

It will leaving you wondering, “How did they do that?” It left me thinking, “I wonder how many takes it took?” and left me trying to remember that when sh _ t happen, “This too shall pass.” Enjoy!

I didn’t realize this before but this tune just happens to be reminiscent of my husband’s favorite,  Mr. Brown by Bob Marley.

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