In a crazy political time, it’s refreshing to see some progress of anything positive getting done by the political higher ups – whether or not if they have political appointments. In this case, it was making strides in Tallinn.
I thought it timely to read that 2nd Lady Karen Pense is traveling throughout Eastern Europe and Tallinn, where I just was, to learn about and bring attention to art therapy.
Art Therapy is a relatively new field in this area of the world and they are starting to see the benefits for participants as well as those involved as therapists.
There was no way for me to notice this at the time in Tallinn, although I was told that Estonia is known for its high-tech innovation. It’s where Skype was created.
What I noticed was a town with medieval roots, as seen in the bucolic cobblestone streets of its Old Town at the top of the hill.
Old Town of Tallinn
One of the steepest streets
However, down below in the main part of the business district and on the outskirts of town, there was a time warp with areas stuck in post Soviet style mixed with modern architecture.
Mix of old and new parts of town
The Soviet Flashback was the most interesting tour we took. It was given by an innovative entrepreneur who had the last remaining Soviet bus. This is where our tour started with the guys pushing it to get it started and then vodka shots. His performance, while dressed in a Soviet guard uniform, was a parody of what life was like under Soviet regime controlling Estonia. It was not a happy time and it’s still raw for people here to remember that many family members and friends were sent to prison for simply flying an Estonian flag.
Soviet Flashback tour guide
Our guide in front of the last remaining Soviet monument
Unwelcoming concrete barriers exit along the shoreline. These are coincidentally pictured in front of the Walt Disney Cruise ship. Graffiti from earlier days and the revolution decorate some outskirt streets. Our guide was one of the revolutionaries who stood up to the Russians in a peaceful demonstration that called attention to their plight and eventually ended Russia’s control.
Concrete barriers welcome the Walt Disney cruise ship
Graffiti in Tallinn
The Freedom Cross was a striking picture as we turned the corner going out of town and back to our ship. Tallinn is a place I’d like to return.
We attended the Thievery Corporation Concert at the Kennedy Center last week. It was a one night show and I was glad to get affordable tickets with great seats in the front orchestra!
We attended the first performance. It was the first time Thievery Corporation had played at the Kennedy Center. Their normal venues might be less-upscale concert halls. This performance was a collaborative effort with Mason Bates, the Kennedy Center’s Composer-in-Residence. It was part of the KC Jukebox, which is a studio-lab that experiments with blending acoustic sounds. This was the first time to my knowledge that Thievery Corporation had the accompaniment of a full symphonic orchestra. The conductor was Teddy Abrams, Director of the Louisville, KY Orchestra.
Before entering the concert hall, we enjoyed a glass of wine with nuts on the Concourse overlooking the Potomac River. The weather was gorgeous, sunny, 70’s and breezy. You almost didn’t want to go inside. I wish I had taken a picture but it wouldn’t capture it entirely. Here’s the Center Hall instead.
Upon entering the concert hall there was heavy bass, electronic music by 2 DJ’s out of Chicago, Striz and Justin Reed. The music was in keeping with Thievery Corporation’s style of mixed funk, hip-hop, ambient, soul, techno, lounge with an international-cultural-bent. After Mason Bates’ composition, The Rise of Exotic Computing, (with some Radiohead-phonic inspiration) was played by the NSO Orchestra along with a more classical Astor Piazzola (finale from Sinforietta), then the showstopper started.
I’ve been listening to Eric Hilton and Rob Garza of Thievery Corporation with their own genre of lounge-style-music for 20+ years but had never heard them live. I still enjoy their Jet Society CD they produced and the actual 18th Street Lounge DC venue, where I remember some of the best dancing to African-beat rythyms. Their music adapts and it never gets old. In fact, there were fans of all ages including those in my age group, who had even brought their teenage children for the next generation to discover Thievery. The symphonic arrangements only added to the full experience. They played a few of their classics like: Richest Man in Babylon, Sweet Tides, Lebanese Blonde (below – I love the sitar and trumpet mix with sultry singing) and others from their newest album, The Temple of I & I, which is heavily based on Jamaican beats.
This video gives real insight into their creative process while recording in KEXP studio in November 2016.
Here’s a great review of the performance we enjoyed from DC Metro Theater Arts, describing the perfect combination between club and concert hall. Everyone was dancing in their seat with lots of head-bobbing.
Here’s a composite of some video clips and photos I took of the performance.
There were so many good songs to share; however, you’ll see more professional versions in these below that present the songs in their best light. Both are sung by LouLou, who sings many of their songs and in other languages. Interestingly, the second video I recognize is filmed at the National Gallery of Art’s concourse. Cool!
You can view some behind the scenes photos from the concert on their Facebook Page.
This audience photo by Rob Myers shows the view from the stage. This could have been after the second performance because I don’t recognize those who would be on the right side near us but I think I see myself, which is weird, and I remember them taking the picture.
Afterwards, we ate at the Kennedy Center’s Terrace Restaurant, which was pretty good and then walked around the entire center on the rooftop terrace. It was such a lovely night that we’re considering becoming Kennedy Center members.
Catch Thievery Corporation at one of these upcoming tour dates. They’ll steal you away from the present surreal-real world, at least for a little while, with their music.